{"id":95898,"date":"2025-10-21T23:27:38","date_gmt":"2025-10-21T22:27:38","guid":{"rendered":"https:\/\/avo-magazine.com\/?p=95898"},"modified":"2025-10-27T21:57:22","modified_gmt":"2025-10-27T21:57:22","slug":"music-review-hitsujibungaku-dont-laugh-it-off-album","status":"publish","type":"post","link":"https:\/\/avo-magazine.com\/en\/2025\/10\/music-review-hitsujibungaku-dont-laugh-it-off-album\/","title":{"rendered":"Music Review: Hitsujibungaku \u2013 Don\u2019t Laugh It Off (Album)"},"content":{"rendered":"<p>Can music feel like a rainy walk through your favourite neighbourhood? Hitsujibungaku\u2019s new album captures that exact feeling. Led by Moeka Shiotsuka, the Tokyo-based trio comes back with a new project that blends melancholy and warmth.<!--more--><\/p>\n<p><em>Don\u2019t Laugh It Off<\/em> follows <em>12 hugs (like butterflies)<\/em>, Hitsujibungaku\u2019s critically acclaimed fourth album released in 2023, which featured their internationally celebrated track <em>More Than Words<\/em>. The song served as the second ending theme for the famous anime series<em> Jujutsu Kaisen<\/em> in season 2. The 13 new tracks include eight singles released between February 2024 and September 2025, such as <em>Tears<\/em>, <em>Burning<\/em>, <em>Koe<\/em>, <em>Map of the Future 2025<\/em>, <em>Mild Days<\/em> and <em>Feel<\/em>. Most notably, <em>Feel<\/em> and <em>Mild Days<\/em> serve as the opening and closing themes, respectively, for the fantasy anime series <em>Secrets of the Silent Witch<\/em>.<\/p>\n<p>Across these 13 tracks, the album explores an intimate universe where emotions unfold gradually. Shiotsuka\u2019s vocals remain clear and expressive throughout, both delicate and firm. The result is an album that doesn\u2019t demand attention but earns it quietly.<\/p>\n<h3>A considerable change in the band<\/h3>\n<p>In May 2024, drummer Hiroa Fukuda announced an indefinite hiatus, citing health reasons and the need to adjust his condition. Since then, Hitsujibungaku have relied on support drummers, such as Yuna (formerly of Japanese pop band CHAI), for live shows and recordings. This change hasn\u2019t slowed the band creatively: as Yuna filled in, the trio continued touring internationally and releasing singles. The shift in the group members has added a slightly different energy to their performances, one that underlines their adaptability.<\/p>\n<p>Even with this change, that sense of balance between quiet introspection and raw energy has always defined Hitsujibungaku. But it comes into sharper focus here, especially as the band\u2019s profile expands internationally. Ahead of their first U.S. West Coast tour in April 2025, Moeka Shiotsuka and bassist Yurika Kasai spoke to the <a href=\"https:\/\/prp.fm\/a-conversation-with-hitsujibungaku\/\" target=\"_blank\" rel=\"noopener\">Portland Radio Project<\/a> about bringing their sound overseas. &#8220;I\u2019m looking forward to meeting American fans,&#8221; Moeka said. \u201cI can\u2019t wait to see how they\u2019ll react to our music.&#8221;<\/p>\n<h3>International influences<\/h3>\n<p>Their excitement is understandable: Hitsujibungaku\u2019s sound blends shoegaze, 90s alternative rock, and a distinct Japanese melancholy, resulting in a mix of influences on a global scale. Yurika noted that bands such as Nirvana, The Smashing Pumpkins, Sonic Youth, Dinosaur Jr., and Pixies have all played a major role in shaping their music.<\/p>\n<p>Their new album reflects this global influence, especially when Moeka slips from Japanese into English mid-song on <em>Tears<\/em>. It feels like an act of emotional translation: a subtle reaching out across cultures that recalls their love for international genres.<\/p>\n<p>Outside of their interest for global music, much of the band\u2019s identity was forged in Tokyo\u2019s underground live houses. Moeka frequently reflects on her formative years in Shimokitazawa, Tokyo\u2019s vibrant creative district, where she would watch bands perform in small bars and learn from them.<\/p>\n<h3>Once again, anime tracks on the album<\/h3>\n<p>The band is no stranger to making songs for anime. In 2023, they released the hit song <em>More Than Words<\/em> for <em>Jujutsu Kaisen<\/em> and its success was phenomenal. In an interview led by <a href=\"https:\/\/electricbloomwebzine.com\/2025\/04\/hitsujibungaku-interview-us-debut-anime-themes-and-life-beyond-tokyos-indie-circuit.html\" target=\"_blank\" rel=\"noopener\">Electric Bloom webzine<\/a> a few months ago, Yurika shared, \u201cIt gives me a strange sensation to know that our music is heard in countries and places we have never been to by people of different languages and cultures.\u201d<\/p>\n<p>Yurika, an anime fan herself, commented that it was wonderful for their music to reach people alongside content that made her proud of her country. She added: \u201cIt\u2019s harder than writing for an album, but it teaches you a lot about emotion and structure.\u201d<\/p>\n<p>That attention to emotion and narrative depth naturally carries over into their studio work. Once more, their new album demonstrates great creativity, closely aligned to the universe of anime soundscapes. That awareness shows up in Burning, the album\u2019s most intense track and the ending theme for the anime <em>Oshi no Ko<\/em> (Season 2, 2024). Where most of <em>Don\u2019t Laugh It Off<\/em> lingers in quiet reflection, <em>Burning<\/em> erupts with energy: sharp guitars and racing drums are the proof that Hitsujibungaku hasn\u2019t abandoned their shoegaze roots, only learned to wield them with precision.<\/p>\n<h3>An album for quiet walks<\/h3>\n<p>As the record unfolds, <em>Don\u2019t Laugh It Off<\/em> reveals its strength in restraint. The last title track, <em>Don\u2019t Laugh It Off Anymore<\/em>, softly closes the album like a dissolving memory. The muffled sound of a wave (or the wind) captures the whole atmosphere of the album, somewhat mystical.<\/p>\n<p>Hitsujibungaku\u2019s music doesn\u2019t ask to be understood immediately. It\u2019s patient, atmospheric and nostalgic. As Moeka put it in that same interview last April: \u201cI think it\u2019s important to listen to lots of music and not neglect facing your emotions.\u201d<\/p>\n<p>That\u2019s precisely what<em> Don\u2019t Laugh It Off<\/em> accomplishes: it draws you into the full spectrum of feeling, from sorrow to relief. Across their new album, Hitsujibungaku seems to invite introspection while offering a wide range of emotions to their listeners.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can music feel like a rainy walk through your favourite neighbourhood? Hitsujibungaku\u2019s new album captures that exact feeling. Led by Moeka Shiotsuka, the Tokyo-based trio comes back with a new project that blends melancholy and warmth.<\/p>\n","protected":false},"author":79,"featured_media":95931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"Hitsujibungaku\u2019s new album is a companion for solitary nights","format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"floatbottom","share_float_style":"share-monocrhome","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-715"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[3073],"tags":[5965,9421,5879],"class_list":["post-95898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-reviews","tag-alternative-rock","tag-hitsujibungaku","tag-rock-en"],"_links":{"self":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts\/95898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/comments?post=95898"}],"version-history":[{"count":9,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts\/95898\/revisions"}],"predecessor-version":[{"id":95900,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts\/95898\/revisions\/95900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/media\/95931"}],"wp:attachment":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/media?parent=95898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/categories?post=95898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/tags?post=95898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}