{"id":73519,"date":"2021-11-20T22:22:53","date_gmt":"2021-11-20T21:22:53","guid":{"rendered":"https:\/\/avo-magazine.nl\/?p=73519"},"modified":"2022-03-31T17:49:18","modified_gmt":"2022-03-31T15:49:18","slug":"live-report-bridear-season-of-ghosts-at-camden-underworld-in-london","status":"publish","type":"post","link":"https:\/\/avo-magazine.com\/en\/2021\/11\/live-report-bridear-season-of-ghosts-at-camden-underworld-in-london\/","title":{"rendered":"Live Report: BRIDEAR &#038; Season Of Ghosts at Camden Underworld in London"},"content":{"rendered":"<p>It seems that we are currently living in a golden age of female Japanese metal bands with BAND-MAID, LOVEBITES and NEMOPHILA all captivating the hearts of Western metalheads. Perhaps the brightest of that bunch, BRIDEAR are no strangers to the UK and, exactly two years since their last visit, have returned to slay London\u2019s Underworld venue.<!--more--><\/p>\n<p>First up are London-based group, Season Of Ghosts. An industrial metal band with distinctly gothic overtones they open with the aptly titled <em>Genesis<\/em>, and it\u2019s a hard-hitting, riff-heavy number that provides the perfect vehicle for Sophia\u2019s ethereal vocals. <em>How The Story Ends<\/em> follows and it\u2019s an epic slab of power metal with guitarist Sam pulling some brutal riffs from his six-string. Season Of Ghosts appear sans drummer but still manage to produce an earth-shaking sound and, as a trio, the band are tighter and mix up a cauldron of sound. <em>Astero(id)<\/em> appears as if from another dimension while the world premiere of <em>Infinity<\/em> bodes well for their forthcoming album. Despite a lengthy live hiatus Season Of Ghost show no signs of rust as fan favourite <em>Dream Paralysis<\/em> caps an impressive set.<\/p>\n<p>Hitting Europe as part of their <em>Into The Dark Forever Tour<\/em> BRIDEAR are the first Japanese metal band to tour the UK since Covid hit in 2019 so, quite understandably, an air of expectation hangs heavy as we await the band. An intro tape ramps the tension up to an unbearable level and it\u2019s finally released when the band hit the stage. Arriving with the force of a musical tsunami BRIDEAR are all smiles and seem genuinely delighted to be back playing live. Opening with the groove-laden <em>Ghoul<\/em> the band are a bundle of energy and, like a well-oiled machine, are firing on all cylinders. Not a single second is wasted as 2017 digital single <em>Ignite<\/em> follows and sets the crowd aflame and, on vocalists Kimi\u2019s command, 200 fists pump the air. The Underworld always furnish visiting bands with a good sound and BRIDEAR put it to good use as they take us back to the <em>Expose Your Emotions<\/em> album which finds Kimi unleashing some glass-shattering shrieks on <em>MIRROR<\/em>.<\/p>\n<p>Despite their ferocious sound, BRIDEAR radiate good vibrations and their unbridled enthusiasm reverberate throughout the venue. Their sheer effervescence is addictive as crowd and band fire off each other\u2019s energy. For many in the crowd, this is their first gig in almost two years so we can forgive them if they go a little crazy during <em>The Moment<\/em>, especially when diminutive bassist Haru delivers some unearthly guttural growls. Tonight\u2019s setlist covers all points of the band\u2019s career with <em>Pray<\/em> taking us back to their debut album<em> Overturn The Doom<\/em> while <em>KESHIN<\/em> (from <em>Bloody Bride<\/em>) finds Ayumi and Misaki trading blistering guitar solos and they are a pairing who could rival Iron Maiden\u2019s Dave Murray and Adrian Smith.<\/p>\n<p>BRIDEAR deliver a non-stop foot-on-the-monitor, horns-held-high metal fest and it\u2019s not until we reach <em>Brave New World Revisited<\/em> that we\u2019re granted a breather of sorts. A song of many suites and full of neat time changes its atmospheric and almost progressive in nature as it shapeshifts over seven glorious minutes. It creates a nice central point in the show and ensures the set ebbs and flows perfectly. With no signs of flagging two from the latest album <em>Bloody Bride<\/em> follow before we get the title track from that record and, bathed in demonic red light, it only serves to increase the overall feeling of insanity that permeates this evening. <em>Light In The Dark<\/em> brings the set to a suitably frantic conclusion but the crowd demand an encore and it\u2019s granted with a high octane version of <em>Again<\/em>.<\/p>\n<p>Come back soon BRIDEAR&#8230;we\u2019re missing you already!<\/p>\n<blockquote><p><strong>BRIDEAR Setlist:<\/strong><\/p>\n<p>1. Ghoul<br \/>\n2. IGNITE<br \/>\n3. MIRROR<br \/>\n4. The Moment<br \/>\n5. Pray<br \/>\n6. KESHIN<br \/>\n7. Brave New World Revisited<br \/>\n8. Starlight<br \/>\n9. Daybreak<br \/>\n10. Dimensions<br \/>\n11. Sick<br \/>\n12. Bloody Bride<br \/>\n13. Light In The Dark<br \/>\n14. Again (Encore)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>It seems that we are currently living in a golden age of female Japanese metal bands with BAND-MAID, LOVEBITES and NEMOPHILA all captivating the hearts of Western metalheads. Perhaps the brightest of that bunch, BRIDEAR are no strangers to the UK and, exactly two years since their last visit, have returned to slay London\u2019s Underworld [&hellip;]<\/p>\n","protected":false},"author":67,"featured_media":71940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":"3065"},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[3065,3088],"tags":[6065,5806,5828,5904,7109],"class_list":["post-73519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reports","category-jpn-music-events","tag-bridear","tag-metal-en","tag-metalcore","tag-power-metal","tag-season-of-ghosts"],"_links":{"self":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts\/73519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/users\/67"}],"replies":[{"embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/comments?post=73519"}],"version-history":[{"count":5,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts\/73519\/revisions"}],"predecessor-version":[{"id":73542,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/posts\/73519\/revisions\/73542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/media\/71940"}],"wp:attachment":[{"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/media?parent=73519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/categories?post=73519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/avo-magazine.com\/en\/wp-json\/wp\/v2\/tags?post=73519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}